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This piece reflects on a reversal that unfolds without confrontation. Structures once designed to project authority now turn inward, carrying traces of their own history back to their point of origin. What was once imposed elsewhere reappears at home, altered, familiar, and unsettling.
The work evokes the idea of the colonizer becoming subject to the same processes it once set in motion. Not through invasion, but through time, repetition, and erosion. Control does not collapse; it fades, repurposed by forces it no longer commands.
There is a quiet irony in this return. Power remains visible, yet no longer unquestioned. The piece lingers in that ambiguity, where dominance survives as form, while meaning slowly shifts beneath it.
